Saturday Auction 1302
It includes a notable section of Antiques.
Saturday Auction 1302
The Saturday Auction 1302 brings together a carefully curated selection of pieces spanning various categories, including a notable section of Antiques, thoughtfully chosen by our specialized department. Objects rich in history, art, and uniqueness stand alongside other offerings, making this auction a unique opportunity to discover treasures and enrich any collection.
How to participate?
In-person
Come to our auction room at Monte Athos 179, register and participate. There is no need for an invitation or dress code; admission is open to the public.
By telephone
Call us to leave a bid for the lot you are interested in and we will do it for you or if you prefer, we will call you during the auction to make your bids by phone.
Online
Sign up online and make your offers from your cell phone, tablet or computer. Leave an offer for the lot you are interested in or connect live and participate as if you were in the living room.
aNTES DE EMPEZAR...
To participate in this auction, it is necessary to make a guarantee deposit of $20,000 MXN in order to place your bid. For your security, this deposit can be made through PayPal.
Make your payment via PayPal to: creditoycobranza@mortonsubastas.com
To participate in our Saturday Auctions, it is necessary to make a guarantee deposit of $5,000 MXN in order to place your bid. For your security, this deposit can be made through PayPal.
If the amount of your purchase is lower, please contact our Collections Department at +52 55 52 83 31 40, extensions 4101, 3423, 3148, 3397, and 3150.
Make your payment via PayPal to: creditoycobranza@mortonsubastas.com
Featured lots
Learn more about the selection of lots made by our specialists.
Photographic Portraits in the Porfiriato
During the Porfiriato, photographic portraits mounted on cardboard became an essential fashion among the Mexican elite. Having a framed portrait was not only a personal keepsake, but also a symbol of status and modernity. Porfirio Díaz understood very well the power of image: he had himself photographed on numerous occasions, always impeccably dressed, whether in military uniform or formal attire. These photographs circulated as a form of visual propaganda, reinforcing the figure of a strong and modern president in a nation opening itself to technology and progress. Thus, each portrait of Díaz was not just a personal memento, but part of a political strategy that took advantage of the novelty of photography as the most modern medium of representation in the 19th century.
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